I am reading this amazing book called, “In the Blink of An Eye” by famous film editor Walter Murch. He gives amazing insight and speaks a language I understand.
As I begin to work on my small movie scene that I shot this weekend, I am following his instructions carefully. I am hanging on every word.
“Film -is not so much a putting together as it is a discovery of a path..”
“The more film there is to work with… the greater the number of pathways that can be considered..”
“The cut..should look almost self-evidently simple and effortless, if it is even noticed at all.”
“Attempt to produce the greatest effect in the viewer’s mind by the least number of things on screen.”
“It takes more work and discernment to decided where not to cut-”
“How do you want your audience to feel?”
“What they finally remember is not the editing, not the camera work, not the performances, not even the story-it’s how they felt.”
“Separate out what you wish from what is actually there…see what is actually on the screen.”
“Editor’s job is to propose alternative scenarios..”
He recommends printing out a few frames from each scene. Taping them on the wall and then looking at each frame. To notice the language of emotions.
“..frames that were never meant to go together and yet there they were, right next to each other.”
“..keep your awareness, to really be alive to the possibilities in each shot..”
Even though I already notice a few mistakes I’ve made, I want to take my time and think about the edit. I want to sit back and look at my wall of frames.